Movies are not real
life. If they were, then who the hell would go see a movie? Nonetheless, movies
are fond of proclaiming that they were “based on a true story” or even more
vaguely “inspired by true events.” Which is all well and good, after all it’s
the job of advertising to tell you anything that might get you to pay money to
go see explosions, zombies, robots, or pirates.
It never fails to make
me laugh when people complain about movie not being realistic, or changing the
details around. To these people I always like to say “No shit, this must be the
first time ever a movie isn’t accurate.”
We expect truth from
books, but only entertainment from movies.
The Iceman and Kill the Irishman are
both hard-boiled dramas about old-school gangsters who happen to be
surprisingly sweet and sensitive with their families. They are both based on
the lives of real men. Are they accurate? Probably not, but if I wanted truth I
would spend more time at the library than on my browser scrolling through movie
titles.
But are they
entertaining? That’s the valid question to ask.
The Iceman is a killer for hire living with several textured layers of lies.
Bungling any one detail could ruin his life, get him sent to jail, or even
whacked. Richard Kuklinksi (Michael Shannon) balances his lies almost as well
as he makes people disappear.
One on level he is a
devoted husband, a loving father, and a generous friend. Although he seems
distracted, and often has to go away for work, he has a perfect family life,
and he knows it, and he needs to keep making money to support it. He makes
money by killing people for the local crime boss. When said crime boss comes
under pressure, he orders Kuklinksi to stop working.
This cuts off his income
– which he can’t afford – so he becomes a silent partner to Mr. Freezy, a
freelance hitman played with pinache by an unrecognizable Chris Evans. This ice
cream-truck driving psycho is about as far from Captain America as you can get, and Evans is terrific. He’s a good
match for the quiet, sullen Shannon, who excels, as always, as portraying
silent rage and bottled up resentment. He’s one of the top character actors in
the world right now, and is always commanding when playing this type of creep.
The Iceman is not a perfect film, skimming over some areas of interest and taking
way too long in areas of not-so-interest. But the cast carries the film every
step of the way; aside from Shannon and Evans, you’ve got Ray Liotta, James
Franco, Robert Davi, and surprisingly strong dramatic work from Wynona Rider
and David Schwimmer. Not a type-o.
Kill the Irishman begins softly, following the humblr beginnings of Danny Greene, an Irish American bloke with the body of the brute and the mind of a scholar. Against his better judgment he gets involved with the local union. He only has the best of intentions for getting a fair shake for the dock workers, but you know what they say about good intentions; before you know it you’re making deals with Christopher Walken. And if you’ve ever seen a movie before, you know you should never make a deal with Christopher Walken.
Kill the Irishman begins softly, following the humblr beginnings of Danny Greene, an Irish American bloke with the body of the brute and the mind of a scholar. Against his better judgment he gets involved with the local union. He only has the best of intentions for getting a fair shake for the dock workers, but you know what they say about good intentions; before you know it you’re making deals with Christopher Walken. And if you’ve ever seen a movie before, you know you should never make a deal with Christopher Walken.
Greene is a charismatic,
likeable fellow, and his portrayal by Ray Stevenson is the driving force that
makes the movie work. The supporting cast is solid. Linda Cardellini is great
in a thankless role, Val Kilmer and Vincent D’Onofrio are good, as you would
expect, as is Robert Davi (who now must be cast in all organized crime movies,
by order of law). But it’s Stevenson’s movie, and he makes the most of it. He
has a rare combination of strength and humor, which is why is usually see him
in strongarm roles like in Thor, The
Other Guys, Punisher:War Zone, and Book
of Eli. This is a rare starring role for Stevenson, and I think he single-handedly
makes the movie worth a watch.
Overall, Kill the
Irishman is a good movie that falls a little short of being great. The material
is good (the real Greene endured so many assassination attempts it boggles the
mind) and the cast is solid, but somehow the movie never stops feeling like
Scorsese-lite. With a more sure-handed script and director, this could have
been an all-time great gangster movie. As it stands, its still a good one.
Now, as to the veracity
of these movies, it seems to be in short supply. The real-life Kuklinski bears
little resemblance to his movie counterpart. And the closing moments of Kill
the Irishman show newsreel footage of the real Danny Greene, and it makes you
feel like watching a documentary about the guy. (There isn’t one yet. I
checked.)
But if you’re anything
like me, you can’t handle the truth. You don’t want to handle the truth. Just
give me some good gangster movies, and leave the actual factuals to the trolls
on website forums. The Iceman and Kill the Irishman are good movies – they won’t
straighten your curlies or anything, but they are well worth a watch.
No comments:
Post a Comment